| 1 |
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"40 views of the Yuanming yuan" : image and ideology in a Qianlong imperial album of poetry and paintings
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| 2 |
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The "Abbey Road Medley" : extended forms in popular music
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| 3 |
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"Absence" as desire and "presence" as foreclosure : a psychoanalytic exploration of clinical phenomena, contemporary culture, and science fiction films
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| 4 |
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"Albertine in Six Months" The Evolution of a Design Concept for "Albertine in Five Times"
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| 5 |
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"America as landscape": Marsden Hartley and New Mexico, 1918--1924
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| 6 |
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"American things" : the cultural value of decorative arts in the modern museum, 1905--1931
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| 7 |
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An "anecdotic self-portrait" : Strategies of disclosure in "The Secret Life of Salvador Dali"
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| 8 |
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"Arkhitektura i mnimosti" : the origins of Soviet avant-garde rationalist architecture in the Russian mystical-philosophical and mathematical intellectual tradition
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| 9 |
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"Beach drive : public rights and private property". A documentary film
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| 10 |
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"Beauty that endures" : Egyptian revival in the 1920s
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| 11 |
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"Behold, it is I": A theological interpretation of F. Holland Day's photographic representations of persons of African descent
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| 12 |
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"Beschildert met een Glans" : Willem van Aelst and artistic self-consciousness in seventeenth-century Dutch still life painting
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| 13 |
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"Bodies that tell" : physiognomy, criminology,race and gender in late nineteenth- and early twentieth-century Italian literature and opera
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| 14 |
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The "bot" : buddhist architecture in Thailand
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| 15 |
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"Bringing balance to the Force" : mythic and religious imagery in the "Star Wars" prequel films
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| 16 |
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"Bringing beauty home to the poor" : women, the gardenesque, and the domestication of landscape in nineteenth-century British culture
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| 17 |
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"Built for health" : American architecture and the healthy house, 1850-1930
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| 18 |
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"By his account rendered" : The business of cabinetmaking in York County, Maine, 1815--1840
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| 19 |
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"Carving the world" : inca monumental sculpture and landscape
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| 20 |
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The "church hymnal" (1951) : a shape-note hymnal of the church of god (Cleveland, Tennessee)
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| 21 |
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The "design decade" and beyond : American industrial designers and the evolution of the consumer landscape from the 1930s to the 1950s
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| 22 |
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"Designer" education: The professional development of interior designers
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| 23 |
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"Drama Sustains the Spirit" : Art, Ritual, and Theater in Jin and Yuan Period Pingyang, 1150--1350
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| 24 |
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"Egypts" in England : The representation of ancient Egypt at the Sydenham Crystal Palace
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| 25 |
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"Eloquent representatives": A study of the Native American figure in the early landscape of Thomas Cole, 1825-1830
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| 26 |
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"Empire follows art" : Exchange and the sensory worlds of Empire in Britain and its colonies, 1740--1775
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| 27 |
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"Female" stage props : visualizing the disappearing woman on the early modern stage
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| 28 |
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"For neatness, true fitting, shape and fashion" : the craft and consumption of stays in eighteenth century America
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| 29 |
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"Free speaking cartoons" : the rise of political prints and drama in seventeenth-century England
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| 30 |
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"Give me real, don't give me fake" : authenticity, value, and popular music
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| 31 |
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"How Skin Can See" : A Phenomenological and Cultural Account of Touch as Witness in the Latter Half of the Twentieth-Century
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| 32 |
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"I am not a decorator" : Florence Knoll, the Knoll Planning Unit, and the making of the modern office
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| 33 |
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"I think of cinemas" : the poetry of Hart Crane and the promise of film
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| 34 |
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"Illustrations of Taiping Prefecture" (1648) : a printed album of landscapes by the seventeenth-century literati artist, Xiao Yuncong (1596--1673)
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| 35 |
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"In sympathy with the heart" : RembrandtPeale, an American artist and the traditions of European art
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| 36 |
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"Indigo Sun" for 13 players
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| 37 |
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"Intimation" and experience of the self in games
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| 38 |
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The "Ishiyamadera engi" and the representation of dreams and visions in pre-modern Japanese art
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| 39 |
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"It is a profession that is new, unlimited and rich!" : the promotion of the American fashion designer in the 1930s
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| 40 |
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"It's about time someone told that motherless lass she's a girl" : Transgressing gender and sexuality in Hollywood musicals, 1953--1964
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| 41 |
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THE "JAPANESE TASTE : " ITS ROLE IN THE MISSION OF THE AMERICAN HOME AND IN THE FAMILY'S PRESENTATION OF ITSELF TO THE PUBLIC AS EXPRESSED IN PUBLISHED SOURCES--1876-1916
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| 42 |
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The "Kokuga Sosaku Kyokai" and Kyoto nihonga reform in the Meiji, Taisho and early Showa years (1900--1928) (Japan, Ono Chikkyo, Sakaibara Shiho, Murakami Kagaku, Nonagase Banka)
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| 43 |
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"Kush mir in tokhes." : humor and Hollywood in Holocaust films of the 1990s
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| 44 |
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"Lady, what do you do all day?" : PeggySeeger's anthems of Anglo-American feminism
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| 45 |
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"Life" and "Chimera" : Framing modernism in Poland
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| 46 |
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"Listen : We and the river have stories to tell"---community muralism as participatory geographic discourse and discovery
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| 47 |
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"Machinal" costume design using the Film Noir aesthetic
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| 48 |
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"Masks, mirrors and me" : An investigation and development of an art-based tool and methodology for self-exploration
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| 49 |
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"Modern History" : Newspapers, Photography, Pictures
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| 50 |
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"Nothing Now Goes Down But Burnt Cork" : Blackface Minstrelsy and Ethnic Impersonation in South Africa,1862--1968
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| 51 |
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"Ode a ma mere" : Louise Bourgeois, intersubjectivity and embodied feminism
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| 52 |
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"Ogni amante e guerrier" : monteverdi and the war of love in early modern Italy
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| 53 |
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"Oh brave new world with such people in it" : shakespeare films and World Wide Web fan communities
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| 54 |
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"Painting by candlelight" during the cultural revolution : Defending autonomy and expertise under Maoist rule (1949--1976) (China)
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| 55 |
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"Paradox of want amid plenty" : aesthetics of New Deal food rights performances
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| 56 |
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"Part of your world" : Disney's portrayal of ethnic minorities
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| 57 |
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"Pervigilivm Veneris" for mixed choir, piano and percussion quartet
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| 58 |
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"Raven's Reprise" : a significant juncture in the developing exhibition practices of Canadian museums with regard to First Nations Art
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| 59 |
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"Realized day-dreams" : excursions to authors'homes
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| 60 |
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The "rosary cantorales" of early modern Spain : an interdisciplinary study in attribution
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| 61 |
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"Say it how it is" : Urban teenage girls challenge and perpetuate cultural narratives through writing and performing theater
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| 62 |
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"Scribner's Monthly" 1870--1881 : Illustrating a New American Art World
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| 63 |
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"Sets and the Senses". A work for symphony orchestra accompanied by an analysis : a hierarchy of science/art interactions
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| 64 |
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"Singing Forgetting" for chamber orchestra
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| 65 |
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"Sitting at the feet of gurus" : the life and ethnography of Claire Holt
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| 66 |
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"Strange machines" from the West : European curiosities at the Qing imperial courts, 1644-1796
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| 67 |
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"That crack in the concrete" : Hip-hop, politics and the archive in Black urban video culture, 1989--2004
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| 68 |
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"That customary magnificence which is your due" : Constantine and the symbolic capital of Rome
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| 69 |
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"That nice gorgeous cusp" : social stratification in contemporary Newfoundland rug-hooking
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| 70 |
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"Tibet chic" : myth, marketing, spirituality and politics in musical representations of Tibet in the United States
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| 71 |
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"Un Chien andalou" and "L'Age d'or" : the collaborations of Salvador Dali and Luis Bunuel (Spain)
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| 72 |
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"Unnatural mountains" : meaning of Buddhist landscape in the Precious Rain bianxiang in Mogao Cave 321
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| 73 |
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"Was that how it really happened?" Film as a tool for historical thinking
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| 74 |
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"Who invented the stories anyway?" a Reformed perspective on Tolkien's theory of fantasy
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| 75 |
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"With our hearts in our hands and our hands in the soil" : aztlan as utopic space in Chicana/o art and visual culture
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| 76 |
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"With sighs too deep for words" : liturgical song as metaphor
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| 77 |
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'According to the Polish sky and customs' : theories of art and architecture in early modern Poland
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| 78 |
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'And with the courage of a fiery lion' : Spartan ideology and Lakonian kylikes of the sixth century B.C
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| 79 |
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'Artificial constructions' and object lessons in a sacred landscape : the art and architecture of Central Park, 1858--1880
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| 80 |
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'Boshanlu' mountain censers : Mountains and immortality in the Western Han Period
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| 81 |
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The 'camera' as camera : new subjectivities in three-dimensional virtual worlds
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| 82 |
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The 'eternal return' of the Byzantine icon : Sacred and secular in the art of Photis Kontoglou
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| 83 |
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'hideous progeny' : eugenics, disability, and classic horror cinema
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| 84 |
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'How would you start making a new country?' : d. H. Lawrence's nation building pilgrimage
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| 85 |
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'Kalos thanatos' : The ideology and iconography of the Demosion Sema at Athens in the 5th and 4th centuries BCE
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| 86 |
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'Light' music and Austrian identity : the Strauss family legacy in Austrian politics and culture, 1918--1938
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| 87 |
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'many goodly and pleasant bookes' : the library of henry vii (england)
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| 88 |
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'Marking' exodus : Death and funerals in the religious paintings of Clementine Hunter
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| 89 |
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'Net_work_ed : Simulated bodies and objects intertwined in cyberplaces and art educational spaces. Threads of a critical digital pedagogy
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| 90 |
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The 'zheng' : a Chinese instrument and its music
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| 91 |
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(De)Terminating the political enframement in the art by robert smithson
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| 92 |
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The (Hindu) nation and the Muslim 'others' : a study of Indian popular cinema
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| 93 |
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(In)significant Objects
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| 94 |
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(un)modern engineering : crossdisciplinary design
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| 95 |
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1. The construction of motion graphics scores. 2. Seven Motion Graphics Scores : "Above Snakes", "Crooked", "The Way Through Is Behind Us", "Three Rooms", "Elemental Canon", "OneZero", and "On"
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| 96 |
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The 12 Animals An Interactive Guide To The Chinese Zodiac Signs
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| 97 |
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14th century English class structure in relation to fashion: A costume design analysis for "Two Planks and a Passion" (Anthony Minghella)
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| 98 |
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The 1889 and 1900 Paris Universal Expositions : French masculine nationalism and the American response
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| 99 |
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1900--1910 : piano music of Debussy andRavel : an interdisciplinary approach (Claude Debussy, Maurice Ravel, France)
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| 100 |
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The 2-step tales of hahashka : experiences in corporeality and embodiment in aboriginal california
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| 101 |
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21st Century Zombies : New Media, Cinema, and Performance
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| 102 |
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3 adaptive reuse projects Bowling Green, Kentucky
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| 103 |
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The 3 Pigs : interactive performance
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| 104 |
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3D Printing : Convergences, Frictions, Fluidity
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| 105 |
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42 : approaching theatrical design theory
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| 106 |
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45 Concert studies on the themes of Richard Strauss, Gustav Mahler and Johannes Brahms
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| 107 |
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92.08.09 - essential epiphanies : a computer-music soundscape, collage and performance environment
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| 108 |
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An a/r/tographic study of multicultural children's book artists : developing a place-based pedagogy of pleasure
|
| 109 |
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Able-bodied inclusion in the National Wheelchair Basketball Association
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| 110 |
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The abortion narrative in American film : 1900--2000
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| 111 |
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Above Sea : Modern and Contemporary Art from the Ruins of Shanghai's New Heaven on Earth
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| 112 |
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Abstract Expressionism in San Francisco, 1945-1950
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| 113 |
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Abstract Expressionism, Art Informel, and modern Korean art, 1945--1965
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| 114 |
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Abstract No. 1 for Orchestra
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| 115 |
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Abstracted realizations
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| 116 |
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The Academia Leonardi Vinci : Visualizing dialectic in Renaissance Milan, 1480--1499
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| 117 |
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The acceptance of Western piano music in Japan and the career of Takahiro Sonoda
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| 118 |
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Access to the archives? Art museum websites and online archives in the public domain
|
| 119 |
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Accessibility and attitudinal barriers encountered by travelers with physical disabilities in China
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| 120 |
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Achievement of expectations in leisure travel satisfaction : an application of expectation-disconfirmation theory
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| 121 |
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Achieving optimal product design by integrating design for production methodology and design automation
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| 122 |
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The Ackland Sophia : contextualizing, interpreting, and "containing" wisdom
|
| 123 |
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Acoustic and perceptual effects of vocal warm-up
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| 124 |
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Acoustic models for the analysis and synthesis of the singing voice
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| 125 |
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An acoustic study of the singer's formant : the comparison between Western classical and traditional Chinese opera singing techniques
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| 126 |
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Acoustics in the worship space : goals and strategies
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| 127 |
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An acquired taste : Women's visual education and industrial design in the United States, 1925-1940
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| 128 |
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The acquisition and assessment of the developing singing voice among elementary students
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| 129 |
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Acting out : theater and the politics of citizenship at the periphery in Salvador, Bahia, Brazil
|
| 130 |
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Action architecture : Lawrence Halprin's experiments in landscape design, urbanism, and the creative process
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| 131 |
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Activity-based value-chain analysis for United States college student vacation travelers' hotel room experience
|
| 132 |
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The actor dans le Reve : pantheatre training as negative capability
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| 133 |
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An actor in real life : Chen Hongshou's "Scenes from the Life of Tao Yuanming" (China)
|
| 134 |
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Acute mountain sickness and rating of perceived exertion on Denali
|
| 135 |
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The adaptation of the clarinet to Hindustani music : the playing style of Master Ebrahim
|
| 136 |
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Adapting the Buddha's Biographies : A Cultural History of the "Wish-Fulfilling Vine" in Tibet, Seventeenth to Eighteenth Centuries
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| 137 |
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Adapting the city to meet rural desires : the English urban landscape as surrogate country house
|
| 138 |
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Adolescent self-esteem : theatre plays leading role
|
| 139 |
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Adolf Loos in Central European culture (Austria, Czech Republic, Franz Kafka)
|
| 140 |
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Adopting marketing strategies in museums
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| 141 |
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Adorno's "Philosophy of modern music"
|
| 142 |
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Adorno's "Philosophy of modern music" : a critique
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| 143 |
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Adult learning environments : request upon and preferences of interior designers
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| 144 |
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Adult reflections on a high school choral music program : perceptions of meaning and lifelong influence
|
| 145 |
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Adventure-based counseling program design using a unique three-part supervision model to enhance metaphoric development and create positive change in adolescents
|
| 146 |
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Adverse camber : a ballet for questionable ensemble (Original composition)
|
| 147 |
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Aegean seals and oral literacy in Bronze Age Greece
|
| 148 |
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Aesopian tales : the visual culture of the late Russian avant-garde
|
| 149 |
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Aesthetic and moral judgments : the moral value of immoral art
|
| 150 |
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The aesthetic development of the rock musical on the New York stage
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| 151 |
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Aesthetic experience : An integral theory of music
|
| 152 |
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Aesthetic expressions : Punk dress and the workplace
|
| 153 |
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Aesthetic Ideas, Rationality, and Art in Kant An Interpretation of Aesthetic Ideas---As a Counterpart of Rational Ideas---In Kant's "Critique of Judgment", by Way of Analysis of Rational Ideas in Theoretical, Practical, and Teleological Employments of Reason
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| 154 |
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Aesthetic justifications for music education : a theoretical examination of their usefulness
|
| 155 |
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The aesthetic of an artist: cummings as poet/painter
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| 156 |
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The aesthetic quest of Thomas Cole and Edgar Allan Poe : correspondences in their thought and practice in relation to their time
|
| 157 |
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Aesthetic theory and the representation of the feminine in orchestral program music of the mid-nineteenth century
|
| 158 |
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Aesthetic uses of transparency in sculpture : a theoretical and creative investigation. (Volumes I and II)
|
| 159 |
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Aesthetic ways of knowing : personalnarrative
|
| 160 |
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Aesthetics and meaning in professional blues performances : an ethnographic examination of an African-American music in intercultural context
|
| 161 |
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Aesthetics and symbolism of Late Byzantine church facades, 1204--1453
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| 162 |
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Aesthetics in an expanded field : Towards a performative model of artexperience and knowledge
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| 163 |
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Aesthetics in graduate music schools : bringing philosophy to the learning of music
|
| 164 |
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The aesthetics of mass-persuasion : war and architectural sites in tokyo, 1868--1945 (Japan)
|
| 165 |
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The aesthetics of the other : Ethics, Judaism and the work of art in the thought of Emmanuel Levinas
|
| 166 |
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Aesthetics, authenticity, and belonging : the roles of personal identity and aesthetic sensibility in artistic development and practice
|
| 167 |
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Affective industrial design : understanding our emotional attachment to the products we love
|
| 168 |
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Affective robotics as device art
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| 169 |
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Affordance-based product architecture : linking technical functions and users' tasks
|
| 170 |
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African American quilts : An examination of feminism, identity, and empowerment in the fabric arts of Kansas City quilters
|
| 171 |
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African art music for flute : a study of selected works by African composers
|
| 172 |
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African arts in the diaspora : an examination of common cultural and plastic essence in the visual arts
|
| 173 |
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African-American female identity in the 19th century: The individual and cultural empowerment of Harriet Powers' Bible quilts
|
| 174 |
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The Africana craze in the jazz age : a comparison of French and American fashion1920--1940
|
| 175 |
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An Afrocentric analysis of hip-hop musical art composition and production : roles, themes, techniques, and contexts
|
| 176 |
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After "his master's voice" : post-phonographic aurality
|
| 177 |
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After aesthetics : martin Heidegger and the end of art
|
| 178 |
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After Courbet : realism and the specter of history, 1871--1889 (Gustave Courbet, France, Belgium)
|
| 179 |
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After marriage : the literature and culture of divorce in England, 1515--1650
|
| 180 |
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After Poussin : French history painting (1665--1785)
|
| 181 |
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After the rain : Surrealism and the post-World War II avant-garde, 1940--1950
|
| 182 |
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Afterimage in painting
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| 183 |
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Afterlives : The Reuse, Adaptation and Transformation of Rome's Ancient Theaters
|
| 184 |
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Aftermath (original artwork, painting)
|
| 185 |
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Against our nature : The deception of progress in Tennessee Valley murals
|
| 186 |
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Against the archive : toward indeterminacy and the internationalization of contemporary art
|
| 187 |
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Against the grain : modernism and the American art song, 1900 to 1950
|
| 188 |
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Agency and impersonality in the music of Gyorgy Ligeti (Hungary, Austria)
|
| 189 |
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Aggregate art : work in progress
|
| 190 |
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Ah, youth (With original artwork, Painting, Drawing)
|
| 191 |
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Ah-eee-ah-eee-yah-eee, bum and pop, pop, pop : teacher initiatives, teacher silence, and children's vocal responses in early childhood music classes
|
| 192 |
|
Albert Mayer, architect and town planner : the case for a total professional
|
| 193 |
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The album des six and pianism in the works of les six, 1917--1925 (France)
|
| 194 |
|
Alexander Pushkin's influence on the development of Russian ballet
|
| 195 |
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Alexander Scriabin in Russian musicology and its background in Russian intellectual history
|
| 196 |
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The Alexander technique and the art of teaching voice
|
| 197 |
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Alexei Remizov's threshold art : The illustrated albums of the 1930s (Russia)
|
| 198 |
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Alfred H : aestheticism to modernism, 1897--1916
|
| 199 |
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Alfred lichtwark : educating the ability to contemplate works of art (germany)
|
| 200 |
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Alienated selves : Portraiture in nineteenth- and twentieth-century France
|
| 201 |
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All consuming : the tiller-effect and the aesthetics of Americanization in Weimar photography, 1923--1933
|
| 202 |
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All the things your are : jazz music, pathways analysis, and a theory of cultural flows
|
| 203 |
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Allan Sekula, Margarita Cabrera and Vik Muniz : Representations of the Social Conditions and Capital Relations of Labor
|
| 204 |
|
Alterations : Gender and needlework in late Georgian arts and letters
|
| 205 |
|
Alternative Art Incubators : Cultivating collaboration and innovation in Los Angeles public art practices
|
| 206 |
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Alternative creatures for an alternative space : a process of evolution
|
| 207 |
|
An alternative pedagogical paradigm for aural skills : an examination of constructivist learning theory and its potential for implementation into aural skills curricula
|
| 208 |
|
Although the portrayal of Black fathers as "deadbeat dads" is prevalent in the U.S. media, over the last 20 years some Hip Hop artists and Hip Hop inspired films challenge the stereotype by showing the young Black father as a responsible adult eager to take care of his family
|
| 209 |
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Always already made : Landscape of the Tessentee in pinhole photographs, artist's books, and prints
|
| 210 |
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Am I an encyclopedia?
|
| 211 |
|
Ambiguite et etrangete (l'intuition sensible et l'ouverture sur l'ambiguite) (French text)
|
| 212 |
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The ambiguity of touch : Saint Mary Magdalene and the "Noli Me Tangere" in early modern Italy
|
| 213 |
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The Ambiguous I : Photography, gender, self
|
| 214 |
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Ambition, competition, and incompletion : Raphael and the commission for Alfonso d'Este's Camerino
|
| 215 |
|
An American art : edward S. Curtis and "The North American Indian", 1907--1930
|
| 216 |
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American art criticism : 1910-1939
|
| 217 |
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The American Art Museum : Management versus artistic values in transition
|
| 218 |
|
An American Carousel : the interactive documentary
|
| 219 |
|
American drama and the disabled family member : a family systems approach
|
| 220 |
|
The American flag as art and controversy : a case study of the 1989 chicago flag-on-the-floor controversy (illinois)
|
| 221 |
|
American general music textbooks : content usable in Korea
|
| 222 |
|
The American Indian art world and the (re-)production of theprimitive : Hopi pottery and potters (Arizona)
|
| 223 |
|
American landscapes as revisionist history : The frontier photographs of Mark Klett, John Pfahl, Deborah Bright, and Robert Adams
|
| 224 |
|
American opera at the Metropolitan, 1910--1935 : a contextual history and critical survey of selected works (New York City)
|
| 225 |
|
American popular music in the Cold War : the hip aesthetic and the counterculture idea
|
| 226 |
|
American popular songs on operatic topics, 1901--1921
|
| 227 |
|
American portrait cameo cutting : an alternate apprenticeship in relief sculpture, 1830--1870
|
| 228 |
|
The American reaction to Japanese art, 1853-1876
|
| 229 |
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The American salon : the Art Gallery at the Chicago Interstate Industrial Exposition, 1873--1890
|
| 230 |
|
An American sense of space : the hudson river valley
|
| 231 |
|
American Sign Language : An influence on graphic design problem-solving
|
| 232 |
|
American sportswear : a study of the origins and women designers from the 1930's to the 1960's
|
| 233 |
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The American wind band : new historical perspectives
|
| 234 |
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American women's roles in domestic music making as revealed in parlor song collections : 1820--1870
|
| 235 |
|
Americans' intentions to vacation in East Asia : an empirical investigation of the relationships among information source usage, destination image, perceived risks, and intention to visit
|
| 236 |
|
Amidaji : Mortuary art, architecture, and rites of Emperor Antoku's temple
|
| 237 |
|
Among the jasmine trees : music, modernity, and the aesthetics of authenticity in contemporary Syria
|
| 238 |
|
The Amplification Controversy in Drum Corps International : Technological Change and the Meaning of Tradition
|
| 239 |
|
Analyse comparative de la structure et de la symbolique du design de mode et de l'architecture dans la seconde moitie du XXe siecle
|
| 240 |
|
Analyses of selected published choral works of Michael Hennagin
|
| 241 |
|
An analysis and comparison of "Four Rotations Pour Marimba," a solo marimba suite, by Eric Sammut
|
| 242 |
|
Analysis and informative interviews to aid in the performance practice of the Concerto for Marimba and String Orchestra by Eric Ewazen
|
| 243 |
|
An analysis and new edition of Julius Weissenborn's method for bassoon (Germany)
|
| 244 |
|
An analysis and overview of selected original compositions by Dario Escobedo
|
| 245 |
|
Analysis and performance aspects of Gy�rgy Ligeti's �tudes pour piano : "Fanfares" and "Arc-en-ciel"
|
| 246 |
|
An analysis and performance guide to Benjamin Lees's "Odyssey I" and "II"
|
| 247 |
|
An analysis of an original composition as an example of Chinese and Western synthesis
|
| 248 |
|
An analysis of architectural space using stereoscopic visualization
|
| 249 |
|
An analysis of basic design education in Turkey and implications for changes in postsecondary art curriculum
|
| 250 |
|
An analysis of Chen Yi's orchestral work "Momentum"
|
| 251 |
|
An analysis of completeness and historical accuracy in the most commonly used college jazz history texts
|
| 252 |
|
An analysis of cruise ship management policies in parks and protected areas in the eastern Canadian Arctic
|
| 253 |
|
An analysis of Dance Suite for Orchestra by Bela Bartok and an analysis of an original dance suite for jazz orchestra : "Listen with Your Feet" (Hungary)
|
| 254 |
|
The Analysis of environmentally sustainable interior design practice
|
| 255 |
|
Analysis of environments related to cycling on a university campus
|
| 256 |
|
Analysis of expressive qualities in Witold Lutoslawski's Partita
|
| 257 |
|
An analysis of Hans Haacke's canceled 1971 Guggenheim exhibition
|
| 258 |
|
Analysis of harp performance issues in "Federico's Little Songs for Children" by George Crumb
|
| 259 |
|
An analysis of Isang Yun's piano works : a meeting of Eastern and Western traditions
|
| 260 |
|
The analysis of listening strategies and musical focus of the 11- to 16-year-old learner
|
| 261 |
|
An analysis of music ministry and the role of music education in selected Hispanic Southern Baptist churches in the United States
|
| 262 |
|
Analysis of musical creativity in middle school students through composition using computer-assisted instruction : a multiple case study
|
| 263 |
|
An analysis of pedagogical concepts in the elementary solo repertoire compositions of Dennis Alexander
|
| 264 |
|
Analysis of scoring music to visual media
|
| 265 |
|
An analysis of selected works of Vitezslava Kapralova
|
| 266 |
|
An analysis of Sergei Rachmaninoff's Preludes, opus 23 and opus 32, and Etudes-Iableaux, opus 33 and opus 39
|
| 267 |
|
An analysis of sound masses in "Hyperprism", "Octandre", and "Int�grales", three chamber works by Edgard Varese
|
| 268 |
|
An analysis of successful graphic trademarks based on principles of design, semiotic theory, taxonomy of trademarks, and criteria for effective brand identities (Logos)
|
| 269 |
|
An analysis of the aesthetic writings of Aaron Copland and Roger Sessions
|
| 270 |
|
An analysis of the effect of economic recessions from 1973 to 1993 on the auction value of paintings by eight contemporary artists
|
| 271 |
|
An analysis of the jazz improvisation and composition in selected works from the Blue Note Records period of tenor saxophonist Joe Henderson from 1963 to 1966
|
| 272 |
|
An analysis of the major solo piano works of C�sar Franck
|
| 273 |
|
An analysis of the problem-solving experience of students in an online problem-based learning environment
|
| 274 |
|
An analysis of the role of Juno in Cavalli's opera "La Calisto" (Francesco Cavalli, Italy)
|
| 275 |
|
An analysis of the selected music of Chou Wen-Chung in relation to Chinese aesthetics
|
| 276 |
|
An analysis of vocal and instrumental approaches to jazzimprovisation
|
| 277 |
|
Analysis, reconstruction, and performance of interactive electroacoustic works for clarinet and obsolete technology : selected works by Musgrave, Pennycook, Kramer, and Lippe (Thea Musgrave, Bruce Pennycook, Jonathan D. Kramer,Cort Lippe)
|
| 278 |
|
An Analytical Overview of Dominick Argento's "Evensong : Of Love and Angels"
|
| 279 |
|
An analytical study of the variations on the Theme of Paganini's Twenty-fourth Caprice, Op. 1 by Busoni, Friedman, and Muczynski, a lecture recital, together with three recitals of selected works by Bach, Beethoven, Chopin, Debussy, Hindemith, Kodaly, Prokofiev, Scriabin, and Siloti (Nicolo Paganini ...
|
| 280 |
|
Ancient Chinese marriage and statecraft in a Zhou vassal state : elite female burials of the Jin state
|
| 281 |
|
And Dionysus laughed : opera, comedy and carnival in seventeenth-century Venice and Rome (Italy)
|
| 282 |
|
And what rough beast : the political geography of physical impairment in twentieth-century Irish drama and theatre
|
| 283 |
|
Anding the art dynamic
|
| 284 |
|
Andragogy and music : canadian and American models of music learning among adults
|
| 285 |
|
Andre Jeunet : applying educational theory as a guide for developing a photographic exhibition
|
| 286 |
|
Andrea del Sarto "pittore senza errori" : Between biography, Florentine society, and literature (Italy)
|
| 287 |
|
Andreas Gursky's photography : envisioning the 21st century's capitalist world
|
| 288 |
|
Angle of repose
|
| 289 |
|
Animated music : the development and use of the optical soundtrack as a musical instrument
|
| 290 |
|
Annealing fear : Designing costumes for "The Crucible"
|
| 291 |
|
Annette Messager's "Penetration" : from having a body to being a body
|
| 292 |
|
An annotated bibliography of Taiwanese piano music by selected composers born after 1950
|
| 293 |
|
Another kind of self-portrait (Alice NeelWillem de KooningVincent van GoghThe NetherlandsFrancis BaconEnglandFrida KahloMexico)
|
| 294 |
|
Ansel Adams's "practical modernism" : The development of a commercial photographer, 1916--1936
|
| 295 |
|
Ant Tribe
|
| 296 |
|
The anti-heroism of modern life : Symbolist decoration and the problem of privacy in fin-de-siecle modernist painting (Edouard Vuillard, Maurice Denis, Pierre Bonnard, France)
|
| 297 |
|
Antiboxology: agent design in cultural context
|
| 298 |
|
Anticedents of intention to adopt Web-based Computer Aided Facility Management (CAFM) by facility managers
|
| 299 |
|
Anticipation and Action in Graduate-level Design Programs : Building a Theory of Relationships Among AcademicCulture, Professional Identity and the Design of the Teaching Environment
|
| 300 |
|
The antitheatre of Antonin Artaud: An examination of esthetic transgression, applied to the contemporary theatre
|
| 301 |
|
Aporie et representation
|
| 302 |
|
Appearance-related teasing and self-objectification of ethnically diverse adolescent girls
|
| 303 |
|
The application of affordance theory to explain the landscape preferences of travelers
|
| 304 |
|
An application of the Almost Ideal Demand System method to the European tourism market : Comparing the Purchasing Power Parity Index and the Consumer Price Index in international tourism demand modeling
|
| 305 |
|
Applications of ancient Chinese music Nanguan in the selected works of living composer : Wen Loong-hsing
|
| 306 |
|
Applications to the pedagogy of memory and piano playing : building solid foundations
|
| 307 |
|
Applied music in an online environment using desktopvideoconferencing
|
| 308 |
|
Applying an integrative theoretical approach to the interpretation of art
|
| 309 |
|
Applying Constantin Stanislavski's acting 'system' to choral rehearsals
|
| 310 |
|
Applying Panofsky's theories of iconographical analysis to graffiti art : implications for access to images ofnon-representational/abstract art
|
| 311 |
|
Applying patterns to hypermedia instructional design (APHID)
|
| 312 |
|
An appraisal of collegiate jazz performance programs in the teaching of jazz music
|
| 313 |
|
Apprenticeship in the arts and crafts of Iran : The mentorship practices of four masters
|
| 314 |
|
Approach the Throne : For Mixed Choir and Chamber Orchestra
|
| 315 |
|
An approach to integrate lighting concepts into interior design studios : a constructivist educational framework
|
| 316 |
|
An approach to user knowledge and product architecture for knowledge lifecycle
|
| 317 |
|
Approaches to Wolf : Schenker, transformation,function
|
| 318 |
|
Appropriation art : moving images and presenting difference
|
| 319 |
|
Archaism and the critique of Caravaggio in the religious paintings of Hendrick ter Brugghen (Michelangelo Merisi da Caravaggio, Italy, The Netherlands)
|
| 320 |
|
Archetype, hybrid, and prototype : modernism in "House Beautiful"'s Small House Competition, 1928--1942
|
| 321 |
|
Architectonic jewelry and garments. (original art) (Metalsmithing, fashion design)
|
| 322 |
|
Architects' and interior designers' perceptions of their roles in designing the built environment
|
| 323 |
|
The architectural design studio as a learning environment : a qualitative exploration of architecture design student learning experiences in design studios from first- through fourth-year
|
| 324 |
|
Architectural images in roman state reliefs, coins, and medallions: imperial ritual, ideology, and the topography of rome
|
| 325 |
|
The architectural imagination of s. arthur townend (ontario)
|
| 326 |
|
The architectural landscape of eleventh- and twelfth-century south-central France
|
| 327 |
|
Architectural representation of the Pure Land : Constructing the cosmopolitan temple complex from Nagarjunakonda to Bulguksa
|
| 328 |
|
An architectural score : recording and orchestrating an architectural experience
|
| 329 |
|
The architecture and art of the Long Beach Airport Administration Building
|
| 330 |
|
Architecture and authenticity : constructing the ontological
|
| 331 |
|
Architecture and urban design as influences on the communication of place and experience in graphic design
|
| 332 |
|
Architecture as Performance : The construction of display
|
| 333 |
|
An architecture for the new Britain : the social vision of Cedric Price's Fun Palace and Potteries Thinkbelt
|
| 334 |
|
Architecture in the age of alienation : paul rudolph's postwar academic buildings
|
| 335 |
|
Architecture in the museum : displacement, reconstruction and reproduction of the monuments of antiquity in Berlin's Pergamon Museum (Germany)
|
| 336 |
|
The architecture of Kuelap (Peru)
|
| 337 |
|
The architecture of Maxentius : a study in architectural design and urban planning in early fourth-century Rome (Marcus Aurelius Valerius Maxentius, Emperor of Rome, Roman Empire)
|
| 338 |
|
The architecture of ritual : Eighteenth-century Lucknow and the making of the Great Imambarah Complex, a forgotten world monument (India)
|
| 339 |
|
The architecture of space and transformation in massively multiplayer online role-playing games
|
| 340 |
|
Architecture on the move : modernism and mobility in the postwar (Martin Wagner, Walter Gropius, MarcelBreuer)
|
| 341 |
|
Architecture, advertising, and corporations, 1929-1959
|
| 342 |
|
Architectures of affect : Form and feeling between Enlightenment and modernity
|
| 343 |
|
Archive and female memory, writings by female artists during early avant-garde movements (1900--1945)
|
| 344 |
|
Archive/Atlas/Album : The photographic constructions of Christian Boltanski, Gerhard Richter, and Dinh Q. Le
|
| 345 |
|
Archiving the everyday : a topos in french film history, 1895--1931
|
| 346 |
|
An Argument for Modern Craftsmanship : A Philosophy of Design, Materials, and Process in a Post-Industrial Environment
|
| 347 |
|
Aristide maillol (1861--1944) : pioneer of modern sculpture (france)
|
| 348 |
|
Aristocratizing the community : Roger Fenton and British photography in the 1850s
|
| 349 |
|
Arnold Schoenberg's Prelude from the Suite for Piano, Op. 25 : from composition with twelve tones to the twelve-tone method
|
| 350 |
|
Arshile Gorky and Marc Rothko : Return from exile
|
| 351 |
|
Art after words : conceptualism,structuralism, and the dream of the information world (robert morris, robert smithson, mary kelley)
|
| 352 |
|
Art and creativity : a key to successfulaging
|
| 353 |
|
Art and cultural difference in the era of globalization : a comparative study of Taiwanese and American installation artworks
|
| 354 |
|
Art and cultural diplomacy in the international exhibition : Documenta 1 and Prospect.1
|
| 355 |
|
Art and everyday
|
| 356 |
|
Art and ideology : A rhetorical analysis of the art of Alexander Rodchenko and Shepard Fairey
|
| 357 |
|
The art and life of Eddie Arning
|
| 358 |
|
Art and memory : The presence of the absent
|
| 359 |
|
The art and science of late nineteenth-century images of human prehistory at the National Museum of Natural History in Paris (France)
|
| 360 |
|
Art and the body : An exploration of identity
|
| 361 |
|
Art and the built landscape in the central business district ofDallas : Influences from an identifiable era in the late twentieth century
|
| 362 |
|
Art and the conventual life in Renaissance Venice : the Monastery Church of Santa Caterina de' Sacchi (Italy)
|
| 363 |
|
Art and the possibility of the ethical (Marcel Duchamp, Clement Greenberg, Arthur Danto, Wassily Kandinsky, Emmanuel Levinas)
|
| 364 |
|
Art and the struggle for the American soul : the pursuit of a popular audience for art in America from the Depression to World War II
|
| 365 |
|
Art and time : Temporary public art and contentious space
|
| 366 |
|
Art appropriation and identity since 1980 (robert colescott, yasumasa morimura, cindy sherman, japan)
|
| 367 |
|
Art as a lure : the impact of canonical art imagery on the cultural cachet of the advertisement
|
| 368 |
|
Art as a political act : Expression of cultural identity, self-identity and gender in the work of two Korean/Korean American women artists (Yong Soon Min, Suk Nam Yun)
|
| 369 |
|
Art as history/history as art : john La Farge and the problem of representation, 1859--1910
|
| 370 |
|
Art at work : Potential contributions of an art collection to non-profit organizations
|
| 371 |
|
Art criticism and the gendering of Lee Bontecou's art : 1959--1964
|
| 372 |
|
Art criticism through multisensory instruction for visually impaired and blind students
|
| 373 |
|
Art education in art museums : Curriculum, policy, and culture
|
| 374 |
|
Art education, curriculum, and standards
|
| 375 |
|
Art experiences in Waldorf education : graduates' meaning making reflections
|
| 376 |
|
Art factories & cre8ery : A case study of cultural producers in Winnipeg's Exchange District
|
| 377 |
|
Art for the market : Commercialism in Ren Yi's (1840--1895) figure painting (China)
|
| 378 |
|
Art in place : the display of Japan at the Imperial Museums, 1872--1909
|
| 379 |
|
The art in the everyday : A spiritual journey of aesthetic experience within Western and Japanese contexts
|
| 380 |
|
Art in the information age : Cybernetics, software, telematics, and the conceptual contributions of art and technology to art history and theory
|
| 381 |
|
Art in the name of science: Illustrated manuscripts of the Kitab al-diryaq
|
| 382 |
|
Art in the public square : Democracy and the associational life of culture in America
|
| 383 |
|
Art in Wichita : instruction, collection, and innovation
|
| 384 |
|
Art making and metacognition : how visual artists approach problem finding and problem solving
|
| 385 |
|
Art Nouveau as social art : the modern democratic aesthetic of Parisian worker housing, 1894--1914
|
| 386 |
|
The art of accompanying classical ballet technique classes
|
| 387 |
|
The art of art therapy : An exploration of past and present roles of art in art therapy
|
| 388 |
|
The art of being well : How students at Parkland Secondary School believe participation in fine arts programs contributes to their wellness (British Columbia)
|
| 389 |
|
The art of connection : Negotiating the digital divide in Kenya's curio industry
|
| 390 |
|
The art of description : finding a place for works of art in archival descriptive standards and practice
|
| 391 |
|
The art of faith and faith in art : the relationship between Byzantine iconography and my contemporary art practice
|
| 392 |
|
The art of Guillermo Kuitca
|
| 393 |
|
The art of history: marcel duchamp and posterity
|
| 394 |
|
The art of interruption : a comparison of works by Daniel Libeskind, Gerhard Richter, Ilya Kabakov (Germany, Russia, Poland)
|
| 395 |
|
The art of Miran : A Buddhist site in the Kingdom of Shanshan
|
| 396 |
|
The art of necessity: painting and healing at the harlem horizon art studio (new york city)
|
| 397 |
|
"The Art of Peacemaking" : a case study in postmodern visual rhetoric
|
| 398 |
|
The art of play and the play of art
|
| 399 |
|
The art of recording the American wind band
|
| 400 |
|
The Art of Resistance : Trauma, Gender, and Traditional Performance in Acehnese Communities, 1976--2011
|
| 401 |
|
The art of science and science of art : Scientific productivity and art market institutions (France)
|
| 402 |
|
The art of seeing : visual perception in design and evaluation of non-photorealistic rendering
|
| 403 |
|
The art of socialism : william Morris and the Kelmscott Chaucer
|
| 404 |
|
The art of Soga Chokuan and Nichokuan, two painters of sixteenth and seventeenth century Japan
|
| 405 |
|
The art of the ensemble : the Tsukubusuma Sanctuary, 1570-1615. (Volumes I and II)
|
| 406 |
|
The art of the everyday : Experiences of a house
|
| 407 |
|
An art of the Neutral
|
| 408 |
|
The art of traditional architectural ornaments in northern China
|
| 409 |
|
The art of Yin-jou techniques for the seven-stringed zither
|
| 410 |
|
Art on billboard space : Subversive intervention in the City of Los Angeles
|
| 411 |
|
An art practice sustained
|
| 412 |
|
Art Recording Art : Creating an Interactive Visual Document of Personal Experience
|
| 413 |
|
The art songs of Giuseppe Ferrata : a performer's guide
|
| 414 |
|
The art that came in from the cold : andy Warhol and Gerhard Richter, 1950--1968
|
| 415 |
|
Art therapy and atopic dermatitis : Making the invisible visible
|
| 416 |
|
Art therapy and horticulture : creating a therapeutic environment for adults with developmental disabilities
|
| 417 |
|
Art therapy intervention with "at-risk" adolescent boys : effects on self-image and perceptions of loss
|
| 418 |
|
Art therapy used with women to decrease self-injurious behaviors and improve body image
|
| 419 |
|
Art to educate : a history of public art in the new york city public schools, 1890--1976
|
| 420 |
|
Art versus craft : How gender considerations may influence evaluation of a creative work in the Western tradition
|
| 421 |
|
Art(ists) in the making : exploring narratives of coming to art in later life
|
| 422 |
|
Art, architecture and politics in Mewar, 1628--1710 (India)
|
| 423 |
|
Art, astrology and astronomy at the Imperial court of Rudolf II (1576--1612)
|
| 424 |
|
Art, identity and patronage : a history of three Southern African workshops for San/'Bushmen' artists (1990--2003)
|
| 425 |
|
Art, identity, and the new black middle-class : How elite blacks construct their identity through the consumption of visual art
|
| 426 |
|
Art, lives, stories : relationships between the beliefs of taiwanese traditional and non-traditional secondary preservice art teachers (China)
|
| 427 |
|
Art, nature, and people : landscape values of an urban park (Frederick Law Olmsted, Calvert Vaux)
|
| 428 |
|
Art, religion and politics: dunhuang cave 220 (China, buddhist, tang dynasty)
|
| 429 |
|
Art, science and enlightenment ideology : joseph wright and the derby philosophical society (england)
|
| 430 |
|
Art, water, and circles : In what ways do study circles empower artists to become community leaders around water issues
|
| 431 |
|
Art. A user's guide: Interactive and sculptural printmaking in the Renaissance
|
| 432 |
|
Art: Spiritual discipline in process
|
| 433 |
|
Arthome : resources promoting the arts
|
| 434 |
|
Artifact displays : the contextualization of ancient Greek artifacts within the museum setting
|
| 435 |
|
The artist and the dealer : e. J. Hughes and Max Stern (Canada)
|
| 436 |
|
The artist and the philosopher : the aesthetic phenomenological method of Maurice Merleau-Ponty
|
| 437 |
|
Artist Emergence in Contemporary Culture : A Dialectic in Social and Material Conditions of Southern California Artists
|
| 438 |
|
The artist in the university : Interview case studies of how four art professors make sense of the meaning in their work as educators and how they navigate the dual relationship between artist and educator
|
| 439 |
|
Artist narratives : artmaking and teaching discourses on the professional landscape
|
| 440 |
|
An artist of Tai Chi : a critical study of the life, art and cultural philosophy of the children's literature artist Ed Young
|
| 441 |
|
Artist statement in support of thesis exhibition of digital images
|
| 442 |
|
Artist writing as discoursal gesture
|
| 443 |
|
The artist's devices : Illusionism and imagination in Gerrit Dou's "Painter with a Pipe and Book" (Netherlands)
|
| 444 |
|
The artist's intention : Studies in art historical methodology
|
| 445 |
|
An artist-educator's role in community arts : integrating people of diverse backgrounds and ages
|
| 446 |
|
Artist-proposed museums : polemical projects by Claes Oldenburg, Robert Smithson, and Gordon Matta-Clark, 1965--1978
|
| 447 |
|
Artist-teacher George Wallis : Redefining the concept through history
|
| 448 |
|
Artistic collaboration and players' identities in Web space and time
|
| 449 |
|
Artistic dribblings : cultural relocation of Hong Kong's contemporary visual art scene ten years after the handover
|
| 450 |
|
Artistic intervention in the Los Angeles urban geography : The art practices of Charles Long, Harry Dodge and Stanya Kahn
|
| 451 |
|
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth-Century Bavaria
|
| 452 |
|
Artistic production and ritual performance at Amaravati and other Buddhist stupas of Andhra Pradesh
|
| 453 |
|
Artistic training and print culture in the time of Rubens
|
| 454 |
|
Artistry and industry in cast iron Batsto furnace, 1766--1840 (New Jersey)
|
| 455 |
|
Artists and the creative class : the need for new perspectives
|
| 456 |
|
Artists experiencing immigration : how we view our artistic expression in the context of dramatic change (carolina echeverria, jamila kavena, kinga araya)
|
| 457 |
|
Artists under reform : An analysis of professional Chinese guohua painters' relations to the Party-State in the post-Mao era
|
| 458 |
|
Artists' books : Creation through destruction
|
| 459 |
|
Arts advocacy and the national endowment for the arts: forging an effective partnership
|
| 460 |
|
The arts as catalyst, catharsis, and crucible : towards a personal philosophy of art
|
| 461 |
|
Arts education partnerships, experiences and practices : a voyage of discovery
|
| 462 |
|
Arts educators' perceptions regarding decreased administrative support for public school arts education : A phenomenological study
|
| 463 |
|
Arts in education and organizational culture
|
| 464 |
|
The arts in healthcare : past, present and future plans for the integration of the arts within medical facilities and treatment practices
|
| 465 |
|
Arts of engagement : Art and social movements in Japan's early postwar
|
| 466 |
|
Arts, markets, and governments: a study in cultural policy analysis
|
| 467 |
|
Arts-based research, heuristic inquiry and art educator self-study : secondary studio motivation for African American students as a generalizable model
|
| 468 |
|
Artstories : perspectives on intergenerational learning through narrative construction among adolescents, middleaged, and older aged adults
|
| 469 |
|
As heard on TV : a critical cultural analysis of popular music in advertising
|
| 470 |
|
As We May Build : The Design & Function of Online Virtual Space
|
| 471 |
|
The ascription of identity : The work of art in practice and theory
|
| 472 |
|
Ashes of Home
|
| 473 |
|
Aspects of performance in Fr�d�ric Chopin's piano works : slurs, pedalling, mazurka rhythm (Poland)
|
| 474 |
|
Aspects of postmodernist thought in the critical reception of American pop art
|
| 475 |
|
Aspects of sublime rhetoric in eighteenth-century music
|
| 476 |
|
Aspiring to la vie galante : Reincarnations of rococo in Second Empire France
|
| 477 |
|
Assessing the Web-based destination marketing activities : a relationship marketing perspective
|
| 478 |
|
Assessment of four goals in National Park Service cultural interpretive programs
|
| 479 |
|
An assessment of interdisciplinary university visual and performing arts programs in the United States
|
| 480 |
|
Assessment of the impacts of tourism development in coastal communities in Belize
|
| 481 |
|
Assessment of the status of model building codes in interior design curricula
|
| 482 |
|
An assessment of understanding universal design through online visual resources and role-playing simulation exercises
|
| 483 |
|
An assessment of Utah tourism industry's perceptions of hospitality and customer service training
|
| 484 |
|
Assimilation : movement in ceramic sculpture
|
| 485 |
|
At the Crossroads of Modernity, Space, and Identity : Istanbul and the Orient Express Train
|
| 486 |
|
The athlete leader role : interaction of gender, sport type, and coaching style
|
| 487 |
|
The Atik Valide Mosque Complex: A testament of Nurbanu's prestige, power and piety (Turkey)
|
| 488 |
|
Atlas of AIDS : culture, circulation and AIDS in Latin America
|
| 489 |
|
Atmosphere: Transformation and process
|
| 490 |
|
Attention and flow experience in preschool children during music circle time and music free-choice time
|
| 491 |
|
Attic votive plaques : a study on their iconography and function (Greece)
|
| 492 |
|
Attitudes of coordinators and music teachers toward Taiwanese elementary school musically gifted and talented programs
|
| 493 |
|
Attitudes towards string education among collegiate string faculty
|
| 494 |
|
August Halm's "Von zwei Kulturen der Musik" : a translation and introductory essay
|
| 495 |
|
Aural appearances : popular music, televisuality, and technology
|
| 496 |
|
Aurea condet saecula (per arva Saturno quondam). Imperial Habsburg Medals from the coronation of Frederick III (1452) until the succession of Maximilian I (1494): Art and legitimacy between feudalism and absolutism
|
| 497 |
|
The Austro-German violin sonata between 1660 and 1690 : instrumental virtuosity and the use of ground-bass techniques (Giovanni Antonio Pandolfi Mealli, Heinrich Ignaz Franz Biber, Johann Heinrich Schmelzer)
|
| 498 |
|
The Austro-German violin sonata, c. 1650 : its style and origins
|
| 499 |
|
Austronesian voyaging from Taiwan : cultivating Amis folk songs on the international stage
|
| 500 |
|
Auteur in 3 minutes : authorship in music video
|
